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Fantasy Illustration
"She Who Loved the Moon"
Adobe Photoshop
"Curiosity Killed the Brides"
This is an illustration of the climactic scene from the French fairytale "Bluebeard."
"e-Lady of the Lake"
An illustration of the Lady of the Lake's house, if she were a modern twitch streamer.
Exhibited at the Spring 2025 Juried Art Exhibition at the Finley Gallery
C.F. Payne Technique
Exhibited at the Spring 2025 Juried Art Exhibition at the Finley Gallery
C.F. Payne Technique
"The Descent of the Blackbuck" / "Dance of the Decomposition Fairies" Diptych
This was published in the Spring 2025 issue of "The Normal Review" Art and Literary magazine.
"The Prince"
This is a part of a series of reversible illustrations inspired by "Tsarevich Ivan, The Gray Wolf, and The Firebird."
"The Gray Wolf"
This is a part of a series of reversible illustrations inspired by "Tsarevich Ivan, The Gray Wolf, and The Firebird."
"The Princess"
This is a part of a series of reversible illustrations inspired by "Tsarevich Ivan, The Gray Wolf, and The Firebird."
"The Firebird"
This is a part of a series of reversible illustrations inspired by "Tsarevich Ivan, The Gray Wolf, and The Firebird."
"Flight of Whimsy"
This was published in the Spring 2025 issue of "The Normal Review" Art and Literary magazine.
Self-Portrait
"Menace"
Back in the 1970s, lesbians were excluded from the second wave feminist movement and various events and spaces, believed that they would somehow “taint” the movement.
They were dubbed the “Lavender Menace” - lavender being taken allegedly because purple had been seen as a quote-unquote “gay color” for some years. The term “Lavender Menace” was reclaimed at the time though and while it is not popular at all, it is still sometimes used today in a positive light.
The figure in the piece is a repressed princess type of character who is a lesbian but can’t be with a woman for political reasons, and perhaps the lavender she is holding was a gift from a secret lover. The stained glass and the light shining through it in the back, affecting the rest of the colors in the piece, represent the feelings she cannot hide or change, the beautiful feelings ravaging her heart and life.
They were dubbed the “Lavender Menace” - lavender being taken allegedly because purple had been seen as a quote-unquote “gay color” for some years. The term “Lavender Menace” was reclaimed at the time though and while it is not popular at all, it is still sometimes used today in a positive light.
The figure in the piece is a repressed princess type of character who is a lesbian but can’t be with a woman for political reasons, and perhaps the lavender she is holding was a gift from a secret lover. The stained glass and the light shining through it in the back, affecting the rest of the colors in the piece, represent the feelings she cannot hide or change, the beautiful feelings ravaging her heart and life.
"Gentle Melody of the Night."
"Lilith"
Bioluminescent Sea Creature
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